The photographic effects by Howard A. Anderson Company for this sunken submarine rescue movie are very competently staged and shot. IMDB states that the underwater miniatures were shot in a smoke environment, however the bubbles that are visible in many of the shots seem to me to be actually there and not composited, also the way the collapsing sand and silt flows and billows suggests a fluid environment so it seems to me that the miniatures were more likely shot wet, in a tank.
Subscribe to:
Post Comments (Atom)
Most Popular posts in the last 7 days
-
Won oscar for best Special Effects (1955). Probably the most recognised submarine shape ever, fictional or otherwise, was the Nautilus des...
-
Among a sprinkling of picturesque matte paintings there is some very well executed model boat sequences in this film with the visual effects...
-
Arguably still the best movie depiction of the Titanic disaster to date with miniature work done at Pinewood supervised by Bill Warrington. ...
-
I saw this film in the cinema with my Dad on a free double pass that I won as a teenager. I remember feeling at the time that it was fai...
-
Generally regarded as the epitome of the swashbuckling genre, The Sea Hawk's special effects were nominated for an Academy award in 194...
-
Tora Tora Tora stands out as a prime example of the art of model ships in the cinema due largely to the scale of the the work undertaken and...
Your readers might be interested to know that the model sub in this movie is the same one made for and used in "Ice Station Zebra".
ReplyDeleteThanks for the info, I'm preparing to do an entry on Ice Station Zebra.
ReplyDelete