This MGM musical has a few shots of model ships by the ever reliable Arnold A Gillespie and team. The ships were 1/12th scale with some foreground palm trees at 1/4 scale. The night shots were, as was usual, taken in the middle of the day using the day for night technique. The scenic art for the background night skies is also very convincing and contributes greatly to the success of the effect.
Monday, 23 November 2015
Subscribe to:
Post Comments (Atom)
Most Popular posts in the last 7 days
-
Tora Tora Tora stands out as a prime example of the art of model ships in the cinema due largely to the scale of the the work undertaken and...
-
I saw this film in the cinema with my Dad on a free double pass that I won as a teenager. I remember feeling at the time that it was fai...
-
Won oscar for best Special Effects (1955). Probably the most recognised submarine shape ever, fictional or otherwise, was the Nautilus des...
-
This was the twelfth James Bond film in the series and the fifth for which Derek Meddings supervised the visual effects. The movie begins wi...
-
John Brosnan in his excellent book,Movie Magic (McDonald and Janes 1974), quotes from an interview Andrew Sarris conducted with the film...
-
I thought it might be interesting to have a look at my own, admittedly rather minor, brush with model ship action compared with the more usu...













No comments:
Post a Comment