The photographic effects by Howard A. Anderson Company for this sunken submarine rescue movie are very competently staged and shot. IMDB states that the underwater miniatures were shot in a smoke environment, however the bubbles that are visible in many of the shots seem to me to be actually there and not composited, also the way the collapsing sand and silt flows and billows suggests a fluid environment so it seems to me that the miniatures were more likely shot wet, in a tank.
Subscribe to:
Post Comments (Atom)
Most Popular posts
-
Tora Tora Tora stands out as a prime example of the art of model ships in the cinema due largely to the scale of the the work undertaken and...
-
Won oscar for best Special Effects (1955). Probably the most recognised submarine shape ever, fictional or otherwise, was the Nautilus des...
-
L.B. Abbott and A.D. Flowers received a Special Achievement Academy Award for this film. The Poseidon Adventure started the disaster movie...
-
Arguably still the best movie depiction of the Titanic disaster to date with miniature work done at Pinewood supervised by Bill Warrington. ...
-
According to L B Abbott in his comprehensive book" Special Effects - Wire, Tape and Rubber Band Style" (The ASC press 1984), ...
Your readers might be interested to know that the model sub in this movie is the same one made for and used in "Ice Station Zebra".
ReplyDeleteThanks for the info, I'm preparing to do an entry on Ice Station Zebra.
ReplyDelete