This substandard version of the classic story was originally made for television but received a cinema release in some parts of the world. It is notable for having the same cinematographer as the superior Disney version of 1960. The miniature ship is effectively shot with the only credit for special effects being Cliff Culley who was known as a matte painter and optical effects expert.
Subscribe to:
Post Comments (Atom)
Most Popular posts in the last 7 days
-
Tora Tora Tora stands out as a prime example of the art of model ships in the cinema due largely to the scale of the the work undertaken and...
-
Won oscar for best Special Effects (1955). Probably the most recognised submarine shape ever, fictional or otherwise, was the Nautilus des...
-
Visual Effects Supervisor - Scott Squires Visual Effects Director of Photography - Patrick Sweeney The effects for this movie were orig...
-
John Brosnan in his excellent book,Movie Magic (McDonald and Janes 1974), quotes from an interview Andrew Sarris conducted with the film...
-
The Seaview submarine of Voyage to the Bottom of the Sea is one of the most recognizable fictional submarines second only to the Nautilus fr...
-
I saw this film in the cinema with my Dad on a free double pass that I won as a teenager. I remember feeling at the time that it was fai...
















No comments:
Post a Comment