Some classically shot Technicolor model ship work in this film only let down by some unconvincing scenic art in the background. The last sunset sky backing is particularly lacking.
Special effects by Vernon L. Walker.
Subscribe to:
Post Comments (Atom)
Most Popular posts in the last 7 days
-
Tora Tora Tora stands out as a prime example of the art of model ships in the cinema due largely to the scale of the the work undertaken and...
-
I saw this film in the cinema with my Dad on a free double pass that I won as a teenager. I remember feeling at the time that it was fai...
-
John Brosnan in his excellent book,Movie Magic (McDonald and Janes 1974), quotes from an interview Andrew Sarris conducted with the film...
-
Supervised by Derek Meddings at his best, this is one of my all time favorite model ship movies which boasts possibly the largest ship minia...
-
Won oscar for best Special Effects (1955). Probably the most recognised submarine shape ever, fictional or otherwise, was the Nautilus des...
-
Visual Effects Supervisor - Scott Squires Visual Effects Director of Photography - Patrick Sweeney The effects for this movie were orig...






































































No comments:
Post a Comment